Photographs of the quiet hour.
Landscape and portrait commissions for editorial, brand, and print. Twelve years spent learning that a place gives you about ten good minutes, and the whole job is being there for them.
A short index of recent frames.
Landscape, portrait, and architecture commissions made between 2023 and this spring. Everything here was shot on location, mostly in weather that other people were sensibly avoiding.
Hourless
Studio, Lisbon
Dune Study No. 4
Erg Chebbi, Morocco
Concrete Quiet
Trentino, Italy
Atlantic Fog
Costa Vicentina
After Rain
Alfama, Lisbon
I photograph the pause between things.
I started with a borrowed Pentax on the cliffs at Cabo da Roca and never really came back. Since then the work has settled into two habits: waiting for weather, and waiting long enough that people forget the camera is in the room.
Most of what I make is quiet. A ridge losing its edge to fog, a face a half-second after the smile. Film for personal work, digital for commissions, and everything gets printed, because a photograph is not finished until it is a physical thing you can hold at arm’s length.
- 12
- Years behind the camera
- 38
- Editorial commissions
- 11
- Countries photographed
Studio in Lisbon, Portugal. Working worldwide since 2014.
Two pictures worth the long wait.
Both of these took more mornings than they should have. Neither of them happened on the day I planned for.
Silent Hours
Six mornings above the treeline, waiting for the fog to hold still long enough to be photographed.
A photograph is mostly evidence that somebody was patient.
Slow Water
A four-minute exposure taken at the turn of the tide, printed at two metres for the Aveiro show.
Let us make something worth printing.
Commission books are open for late 2026 and spring 2027. Editorial, brand, and print projects welcome, along with the occasional very long drive to somewhere foggy.
